![]() ![]() I have no issue recommending any of these three convolution plugins. apologies as I can't cover this in my response. ![]() one of the plugins within supports convolution via impose response files, such as those generated by REW.Įach of these convolution plugins has their own quirks, i.e settings to ensure the convolution process occurs without any additional artefacts. Freeverb3 from here, is also pretty pretty good and free. ![]() If you use Reaper there is also a very good convolution plugin included, ReaVerb which has options for loading convolution impulses e.g those generated by REW.ģ. Liquidsonics Reverberate, plugin for convolution, has a free version, for Windows (not sure about Mac version) but you can check if you are on a Mac.Ģ. There are a few more tricks to the method, but it would take far too long to describe in a blog ( I have attempted to a few times, but a blog is simply a difficult act to follow, so I have promised myself I will write a short book about this - for one main reason - the developer of REW deserves some publicity for such a generous gift and its my only way of saying thank you to him, so share what I have learned about using his tool)ġ. Nirvana was when I arrived at REW correction filter impulses, running in a decent convolution plugin, in combination with REW for measurement and I have been ever so happy. I am a layman so take this with a pinch of salt, nevertheless I am fairly confident in this assertion. Eventually I learnt that EQ's really are not a standard, i.e parametric EQ's all use different methods for the slopes - so while they may use common criteria like gain, and Q and center frequencies for each filter, but there really is no standard for the slope used by each filter, which then makes it a really difficult thing to get the EQ to deliver exactly what REW's filter corrections intended. Then tried the EQ generated in REW, to correct measurements also done in REW, but I was never happy with the result, and the result varied with every EQ Plugin. I started off with DRC, the tool, to generate correction filter impulses, loaded into a convolution plugin, in combination with REW for measurement. (which is what I think gets corrected, a combination of the room and speaker anomalies are somewhat reversed). It took me about 3 years to eventually arrive at a technique that I am really happy with, with regard to Digital Room Correction - aka Digital Speaker and Room Correction. Oh my my, I could tell you tales of frustration, and joy. ThrowRug, SaddleBlankets, WideBand & Bass Traps. QoBuz Studio Premier, Roon, Amazon Prime & Netflix Netgear Nighthawk S8000 Streaming Switch, Lumin U1 Mini Streamer Transport Samsung The Premiere LSP7T UST Laser ProjectorĮlite Screens Aeon CLR3 0.8 Gain 103-inch Martin Logan Motion 4 (yes, another set of these)Ĭifte 12AU7 NOS & Genalex Gold Lion Tubes in Pre MacBook Pro, Custom i7 7700k De-lid 2xAsus1080ti GFX Audirvana Studio, Hang Loose Convolver, Pulsar Massive & 8200, LiquidSonics, SoX Yamaha RX-A850 Pro (the other 5 channels lol) PrimaLuna Dialogue Premium TubePre (2 channel+sub) ![]()
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